- Chicago, epitome of the modern city, the face of modern man.
- Most of the 20th century face, first fashioned in the old world in a revolutionary school of architecture and design in Germany called the Bauhaus.
- Bauhaus was the focal point of many avant-garde ideas and many revolutionary ideas in the 1920s.
- No other art school in Germany like it.
- Greatest design institution of the 20th century.
- Born out of catastrophe.
- Idea of Walter Gropious.
- 1919, manifesto of published ideas.
- School was supported by public funds.
- Gerhard Marcks
- On the Bauhaus staff were some of the most original painters in the world.
- First time the focus had been put on the individual student.
- A great stress was laid on texture.
- Invented the modern art student.
- Marianne Brandt, member of the metal workshop.
- Most women were placed in the weaving, book binding, and pottery workshops.
- Theater was central to Bauhaus teaching.
- Albers was the first student to graduate from Bauhaus and then teach there.
- 1923, Bauhaus went public.
- The exhibition of 1923, made to show what was being done at the Bauhaus.
- National Socialism first became very strong in Thuringia, and artist matters were used as a pawn in the hands of the powerful, which was a clash of the parties.
- When the National Socialist Party grew stronger in Weimar, support was lost for the Bauhaus, and it was publicly declared closed.
- 1925, it reopened in Dessau, which was more liberal than Weimar.
- Began reproducing for the industrial manufacturer and mass production.
- Typography made modern statements.
- Last home of the Bauhaus was in Berlin.
- 1933, police closed the building and took some of the students away.
- By the beginning of 1933, Nazis were strong in Germany.
- The Bauhaus’ 14 year life had mirrored Germany itself.
- Teachers and students spread out to the free world, taking their ideas and convictions with them.
Poster for the 1923 exhibition, 1923, P. Keler
Nesting Tables, 1926-1927, Josef Albers
Tea infuser and strainer, 1924, Marianne Brandt
Wassily Chair, 1925, Marcel Breuer
Schlitzgobelin Rot-Grün (Slit Tapestry Red/Green), 1927-1928, Gunta Stölzl
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