Friday, October 19, 2012

Bauhaus Screening

  • Chicago, epitome of the modern city, the face of modern man.
  • Most of the 20th century face, first fashioned in the old world in a revolutionary school of architecture and design in Germany called the Bauhaus.
  • Bauhaus was the focal point of many avant-garde ideas and many revolutionary ideas in the 1920s.
  • No other art school in Germany like it.
  • Greatest design institution of the 20th century.
  • Born out of catastrophe.
  • Idea of Walter Gropious.
  • 1919, manifesto of published ideas.
  • School was supported by public funds.
  • Gerhard Marcks
  • On the Bauhaus staff were some of the most original painters in the world.
  • First time the focus had been put on the individual student.
  • A great stress was laid on texture.
  • Invented the modern art student.
  • Marianne Brandt, member of the metal workshop.
  • Most women were placed in the weaving, book binding, and pottery workshops.
  • Theater was central to Bauhaus teaching.
  • Albers was the first student to graduate from Bauhaus and then teach there.
  • 1923, Bauhaus went public.
  • The exhibition of 1923, made to show what was being done at the Bauhaus.
  • National Socialism first became very strong in Thuringia, and artist matters were used as a pawn in the hands of the powerful, which was a clash of the parties.
  • When the National Socialist Party grew stronger in Weimar, support was lost for the Bauhaus, and it was publicly declared closed.
  • 1925, it reopened in Dessau, which was more liberal than Weimar.
  • Began reproducing for the industrial manufacturer and mass production.
  • Typography made modern statements.
  • Last home of the Bauhaus was in Berlin.
  • 1933, police closed the building and took some of the students away.
  • By the beginning of 1933, Nazis were strong in Germany.
  • The Bauhaus’ 14 year life had mirrored Germany itself.
  • Teachers and students spread out to the free world, taking their ideas and convictions with them.


Poster for the 1923 exhibition, 1923, P. Keler



 Nesting Tables, 1926-1927, Josef Albers



Tea infuser and strainer, 1924, Marianne Brandt



Wassily Chair, 1925, Marcel Breuer



Schlitzgobelin Rot-Grün (Slit Tapestry Red/Green), 1927-1928, Gunta Stölzl

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